Once again, Bastian is transported to the world of Fantasia which he recently managed to save from destruction. However, the land is now being destroyed by an evil sorceress, Xayide, so he must join up with Atreyu and face the Emptiness once more. Written by Graeme Roy gsr@cbmamiga.demon.co.uk

Marko is in his mid-thirties, has just published his first book, and has been living in Berlin since his university days - far enough away from his parents Gitte and Günter whose bourgeois lifestyle he could never quite get used to. He visits them once or twice a year, mainly to give them a chance to spend a few days with their grandson. His hopes of spending a quiet weekend with the family fall short when Gitte, who has been mentally unstable since Marko was a child, feels so healthy after a homeopathic treatment that she stops taking her medication. Her announcement triggers reserved reactions in the family, and a series of revelations tip his family's structure out of balance. Written by lletaif

Dramatised origin story of one of Germany's most beloved contemporary comedians.

Maria is 14 years old. Her family is part of a fundamentalist Catholic community. Maria lives her everyday life in the modern world, yet her heart belongs to Jesus. She wants to follow him, to become a saint and go to heaven - just like all those holy children she's always been told about. So Maria goes through 14 stations, just like Jesus did on his path to Golgatha, and reaches her goal in the end. Not even Christian, a boy she meets at school, can stop her, even if in another world, they might have become friends, or even more. Left behind is a broken family that finds comfort in faith, and the question if all these events were really so inevitable. STATIONS OF THE CROSS is an indictment and, at the same time, the legend of a saint. It's a story of religion, devotion and radical faith, and the film itself comes along just as radical as the subject matter, telling the story in only 14 fixed-angle long shots, allowing the viewer to contemplate the interactions on screen in an ... Written by German Films Quarterly 1/2014